Last night, I saw American Ballet Theatre’s production of La Bayadere at Lincoln Center. It was the second time this month that I’d seen the Solor variation performed. ABT cast 33-year-old Denis Matvienko from Ukraine as the love lorne warrior. But as far as Matvienko’s leaps stretched and as many times as his head whipped around to spot his pirouettes, his variation could not top the rendition that I saw two weeks ago. In footage from the 2010 Youth America Grand Prix, I saw 12-year-old Aran Bell give the performance of his life on a stage just one theater over from where a Principal dancer danced the same choreography last night at Lincoln Center.
Aran Bell is just one of the young athletes whose path to the Grand Prix is chronicled in Bess Kargman’s award winning documentary First Position. Bess told me during a phone interview that she made the film, which premiered at the 2011 Toronto International Film Festival, with the purpose of discrediting ballet stereotypes. (Yes, you will see a successful black ballerina, a straight male dancer, and thin girls who aren’t starving themselves). It also breaks the mold of “dance movies,” which are generally thought of as niche films—only appealing to women or former dancers.
The six central characters are all training for and trying to make it to the final round in the the largest youth ballet competition in the world. The Youth America Grand Prix which is held each year in New York City and has awarded over $2 million in scholarships to competitors over its 13 seasons.
In 2009, then-journalist Bess Kargman was living in the city and walked past Lincoln Center, where she noticed a banner for the Grand Prix. She snuck inside and was awestruck by an 11-year-old girl who had taken charge of the massive stage. At that moment, Bess says she decided to make the dance documentary. And the girl on stage, Miko Fogarty, would be the first dancer cast in the film.